• Home
    • History
  • About Us
    • Directors and Staff
      • Directors
        • Catherine Turocy
          • Staged Operas/Ballets by Catherine Turocy and available to be re-staged in the future
          • Vitruvian Man, Baroque Dance and Fractals
          • Interpretation
        • Caroline Copeland
        • Sarah Edgar
        • Patricia Beaman, Advisor
        • James Richman, Music Director of The New York Baroque Dance Company
      • Dancers
        • Julia Bengtsson
        • Brynt Beitman
        • Caroline Copeland
        • Julian Donahue
        • Sarah Edgar
        • Carly Fox
        • Olsi Gjeci
        • Samuel Humphreys
        • Roberto Lara
        • Rachel List
        • Glenda Norcross
        • Patrick Pride
        • Alexis Silver
        • Meggi Sweeney Smith
        • Matthew Ting
        • Ani Udovicki
  • Historical Dance at Play: Welcome Home II
  • Zoom Classes and Workshops
    • Historical Dance at Play: Dance Through Time
      • Historical Dance at Play: Dance Through Time
      • 2019 DANCE WEEKEND: MYSTIC FOUNTAIN
        • 2018 Dance Weekend: Historical Dance at Play
        • Summer Dance Workshop 2017
          • 2017 Summer Workshop Handouts and Links
          • Video Index for Historical Dance Workshops on Vimeo
  • Calendar Highlights 2023
    • Calendar Highlights 2022
      • Calendar Highlights 2021
      • Calendar
        • Calendar Highlights 2019-2020
          • Calendar Highlights 2017-2018
          • Calendar Highlights 2018-2019 Season
        • Historical Dance at Play: Welcome Home!
          • Les Caractères Workshop! July 24-26, 2020 Moves to Zoom
  • Videos
  • Recent Activity
    • How We Revive Baroque Ballets
    • PRESS
      • Archived Press Quotes 1976-2011
      • 2017 Trip to Cuba!
        • Soirée Baroque en Haïti Project
  • Contact Us
  • Donate
    • Friends of Baroque Dance in New York
    • Friends of Baroque Dance in Chicago
  • Projects in Development
  • NYBDC Store
  • Off the Shelf Opera…

The New York Baroque Dance Co.

“A second facet of heaven.”– Mindy Aloff, danceviewtimes.com

Feeds:
Posts
Comments

“The Results Were Magical…” Herald Times

April 28, 2012 by cturocy

Catherine Turocy was the co-director and choreographer for an interdisciplinary project at Indiana University which resulted in two performances of “Lully, Glory Without Love?”  Mace Perlman, co-director and author of the spoken dialogue, performed in the production, drawing from his gifts as actor and mime.  Conceived by Allison Calhoun and conducted by Nigel North, the project was a huge success.  Catherine is grateful to Sarah Edgar for assisting her in teaching and coaching the dancers from the Ballet Department who donned Baroque costumes for the first time and performed in both noble and grotesque dances.  Here is the review link with the complete names of the artists: http://blogs.music.indiana.edu/choral/2012/04/25/review-baroque-orchestra-pro-arte-singers-dancers-magically-tell-lullys-story/

photos taken by Sung Lee

Share this:

  • Twitter
  • Facebook

Like this:

Like Loading...

Related

Posted in General News | Tagged ballet dallas, baroque dance, dance field, dance institute, Dance Workshop, early dance, new york baroque dance company, research |

  • Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 297 other subscribers
  • Facebook

    Facebook
  • Twitter Updates

      Follow @nybdc

    Blog at WordPress.com.

    WPThemes.


    • Follow Following
      • The New York Baroque Dance Co.
      • Join 166 other followers
      • Already have a WordPress.com account? Log in now.
      • The New York Baroque Dance Co.
      • Customize
      • Follow Following
      • Sign up
      • Log in
      • Copy shortlink
      • Report this content
      • View post in Reader
      • Manage subscriptions
      • Collapse this bar
     

    Loading Comments...
     

    You must be logged in to post a comment.

      %d bloggers like this: