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The New York Baroque Dance Co.

“A second facet of heaven.”– Mindy Aloff, danceviewtimes.com

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Past Performances

A Partial Listing of Works Choreographed by Catherine Turocy and Performed by the NYBDC.

OPERAS:  
   
Campra L´Espagne
  (Concert Royal. James Richman, Conductor. Florence Gould Hall, NYC, 1990)
  Les Fêtes Vénitiennes – L´Amour en Saltinbanque
  (Concert Royal. James Richman, Conductor. Florence Gould Hall, New York City, 2004)
Charpentier Les Arts Flourissants
  (Concert Royal.   James Richman, Conductor. Florence Gould Hall, NYC and Princeton, NJ, 2002)
  (Smithsonian Institute, Washington, DC, 1986)
Gluck Orfeo ed Euridice
  (Opera Lafayette.   Ryan Brown, Conductor.   Clarice Smith Center for the Performing Arts, University of Maryland, 2002).
  (Concert Royal.   James Richman, Conductor. Marymount Manhattan Theater, NYC, 1984)
Handel Acis and Galatea
  (Opera Antica.   Palm Beach, FL. 1993)
  Alcina
  (Philharmonia Baroque.   Nicholas McGegan, Conductor. Händel Festspiel, Göttingen, Germany, 2002)
  Arianna in Creta
  (Philharmonia Baroque, Nicholas McGegan, Conductor Händel Festspiele – Göttingen, Germany, 1999)
  Ariodante
  (Händel and Haydn Society of Boston.   Christopher Hogwood, Conductor.   Boston, MA, 2002 and 1995)
  (Händel Festspiele – Göttingen, Germany, 1995)
  (“The Dream,” New World Symphony, Miami Beach, FL, 1997)
  (Concert Royal.   James Richman, Conductor.   Spoleto Festival, USA; Charleston, SC, 1985)
  Il Pastor Fido
  (Castle Hill Early Music Festival, MA and Marymount Manhattan Theater, NYC. 1983)
  Julius Caesar
  (Will Crutchfield, Conductor.   The Kennedy Center, Washington, DC, 2000)
  Terpsicore
  (Tours of the U.S., Puerto Rico and México, 1990, 1995, 2005)
  (Händel Festspiele – Göttingen, Germany, 1986, 1999)
  (Castle Hill Early Music Festival, 1983)
Landi Il Sant’Alessio
  (Nicholas McGegan, Conductor.   Los Angeles Early Music Festival )
  (Concert Royal. the E. Nakamichi Baroque Music Festival.   Los Angeles, CA, 1988)
Leclair Scylla et Glaucus
  (Opera de Lyon. John Eliot Gardiner, Conductor. 1986)
Lully Acis et Galatée
  (Opera Lafayette.   Ryan Brown, Conductor.   Clarice Smith Center for the Performing Arts, 2005)
  (Opera Lafayette.   Ryan Brown, Conductor. The French Embassy, Washington, DC, 2000)
  Armide
  (Prince Georges County Opera, Baltimore, MD, 1978)
  Les Précieuses Ridicules
  (Théâtre du Nombre d’Or. Nantes, France and NYC, 1984)
Mozart Ascanio in Alba
  (The Kennedy Center – National Symphony   Orchestra.   Christopher Hogwood, conductor, 1999)
  Le Nozze di Figaro
  (Teatro Nacional de Sao Carlos, Lisbon; and Thèâtre   de Châtelet, Paris – John Eliot Gardiner, Conductor. 1993)
Monteverdi Orfeo
  (Carmel Bach Festival – Carmel, CA, 1990)
Purcell Dido and Aeneas
  (University of North Texas – Denton, TX, 1999)
  (Dallas Bach Society – James Richman, Conductor. Meyerson Symphony Hall, Dallas, TX, and Concert Royal at Florence Gould Hall, NYC, 1998)
  (Opera Antica.   Judith Norell, Conductor. Palm Beach, FL, 1990)
  Dioclesian
  ( Castle Hill Early Music Festival – MA, 1978)
  Indian Queen
  (The Händel and Haydn Society. Christopher Hogwood, conductor. The Barbican – London, England, 1995)
Rameau Les Boréades
  (Festival d’Aix-en-Provence and Opéra de Lyon, France John Eliot Gardiner, Conductor. 1982)
  Dardanus
  (Wolf Trap Summer Festival.   Antony Walker, conductor,   2003)
  Les Fêtes d’Hébé
  (Concert Royal.   James Richman, Conductor.   the E. Nakamichi Baroque Music Festival, Los Angeles, CA, 1986)
  (‘La Danse’ with Concert Royal. James Richman, Conductor. Alice Tully Hall, Lincoln Center, 1977)
  Hippolyte et Aricie
  (Festival d’Aix-en-Provence and Opéra de Lyon, Lyon,   France. John Eliot Gardiner Conductor. 1983)
  Les Indes Galantes
  (Dance Suite, New World Symphony. Nicholas McGegan, Conductor.   Miami Beach, FL, 1997)
  (Concert Royal.   James Richman, Conductor.   Pace University, NYC, 1982)
  Pygmalion
  (Concert Royal.   James Richman, Conductor.   Cities in Puerto Rico, México and at Florence Gould Hall,   NYC, 2000)
  (Opera Lafayette, Ryan Brown, Conductor.   French Embassy, Washington, DC, 1999)
  (l’Institut de Musique et Danse Anciennes del’Isle de France, Théâtre de Paris, and Grand Théâtre de Versailles, 1982)
  (Concert Royal.   James Richman, Conductor.   Pace University, NYC, 1980)
  Le Temple de la Gloire
  (Concert Royal, Florence Gould Hall, NYC, 1991)
Rousseau Le Devin du Village
  (Mercury Baroque Orchestra.   Antoine Plante, conductor.   Houston, TX, 2004)
  (Concert Royal.   James Richman, Conductor. Boston Early Music Festival and Florence Gould Hall, NYC, 1989)
Royer Le Pouvoir de l’Amour
  (Oberlin College, Oberlin, OH, 2002)
Scarlatti Eracul
   (SUNY Purchase – Purchase, NY, 1992)
Verdi Rigoletto
  (The Dallas Opera.   Dallas, TX, 2001)
   
PLAYS:
Prince of Haiti/King of Paris by Kyle Siebrecht
A staged reading with Florida Historical Performances, Miami, FL. 2004.
Le Bourgeois Gentilhomme by Molière
  Florence Gould Hall in NYC and TheatreWorks, University of Colorado, Colorado Springs, CO, 1999.   And with the San Antonio Symphony, San Antonio,TX in 1996. And at SUNY Purchase – NY,1979.
With Drawn Sword He Danced – Original text by Turocy
  Jarvis Conservatory – Napa, CA, 1998.
Voltaire’s Temple of Glory – Original text by Turocy
  Jarvis Conservatory. Napa, CA 1996.
A Baroque Journey – Original text by Turocy
  Lincoln Center Institute – NYC, 1994.
La Double Inconstance by Marivaux
  Théâtre du Nombre d’Or, Nantes, France, 1983.
La Meprise by Mariveaux.
  Théâtre du Nombre d’Or.   Nantes, France, 1983.
Est-il bon? Est-il méchant by Diderot
  Threshold Theater Company – NYC. 1986.
   
ORCHESTRAL & CHAMBER WORKS:
   
Les Petits Riens by Mozart
  With James Richman and Concert Royal throughout the US. Numerous tours, with the St. Paul Chamber Orchestra, Nicholas McGegan, conductor.   With Christopher Hogwood at the Kennedy Center, with McGegan and Philharmonia Baroque in San Francisco and with McGegan at the Boston Early Music Festival.
Splendour of London , Purcell’s Ayres for the Theater
  with Apollo’s Fire, the Cleveland Baroque Orchestra.   Jeannette Sorrell, Conductor.   Cleveland Museum of Art, OH, 2004.
Spanish Dance Suite
  with Mercury Baroque, Antoine Plante, conductor. Wortham Center, Houston TX, 2003.
The Music of Purcell
  Oberlin Baroque Ensemble, Oberlin College, Oberlin, OH, 2003.
La Follia – music of Corelli
  Baroque Performance Institute – Oberlin College, Oberlin, OH, 1999.
The Four Seasons by Vivaldi
  commissioned by Out-of-Doors Festival – Lincoln Center,
New York City, 1999.
The Haffner Minuets by Mozart
  The Kennedy Center – National Symphony Orchestra.
Christopher Hogwood, conductor, 1999.
Les Folies d’Espagne by Geminianni
  Händel Festspiele – Göttingen, Germany – Philharmonia Baroque – Nicholas McGegan, conductor, 1999.
Dance Through History
  the Dallas Bach Society – Dallas, TX – James Richman,
Conductor, 1999.
Les Sauvages Suite by Rameau
  Out-of-Doors Festival – Lincoln Center – NYC.
Divertimento in B-flat Major by Mozart
  The Kennedy Center – Washington, DC – National Symphony Orchestra – Christopher Hogwood, Conductor, 1998.
Les Elements by Rebel
  Florence Gould Hall, Concert Royal – James Richman, Conductor, NYC, 1986, Dallas Arboretum – Dallas, TX, 1997.
Les Folies Françaises by Couperin
  Concert Royal. James richman, Conductor. Florence Gould Hall, NYC, 1997.
La Cupis by Rameau
  Baroque Performance Institute, Oberlin College, Oberlin, OH, 1997.
La Pavane by Couperin
  Concert Royal. James Richman, Conductor. Florence Gould Hall, NYC.
An Italian Ballet by Monteverdi – Dallas, TX, 1996.
A Viennese Costume Party by Mozart
  The Kennedy Center – National Symphony Orchestra, Christopher Hogwood, Conductor, 1995.
Orchestral Suite No.1 and 2 by Bach
  Florence Gould Hall – NYC. Revised duet version for the Academy of Ancient Music on tour, Tokyo – Christopher Hogwood, Conductor. 1994.
Water Music by Händel
  Florence Gould Hall – NYC revised duet version for the Academy
of Ancient Music on tour, Tokyo – Christopher Hogwood, Conductor. 1994.
Coffee Cantata by Bach
  Santa Rosa Music Festival – Santa Rosa, CA. 1994
Les Folies d’Espagne by Marais
  Berkeley Early Music Festival – Berkeley, CA. 1994
A Contredanse by Mozart
  The Kennedy Center – National Symphony Orchestra. Christopher Hogwood, conductor. 1994.
The Dancing Master by Mozart
  The Kennedy Center – National Symphony Orchestra. Christopher Hogwood, Conductor. 1993.
L’Espagne by Campra
  Concert Royal. James Richman, Conductor. Florence Gould Hall, NYC. 1992.
Concerto Grosso Opus 6, No. 6 by Händel
  Jordon Hall – Boston, MA – Händel and Haydn Society – Christopher Hogwood, Conductor. 1991.
“Chaconne” from Idomeneo by Mozart
  With Concert Royal, James Richman, Conductor – Marymount Theater, NYC
French Suite No. 5 by Bach
  Concert Royal. James Richman, Conductor.. Marymount
Manhattan Theatre, NYC; and Carmel Bach Festival, 1990.
Orchestral Suite No. 3 by Bach
  St. Paul Chamber Orchestra– Christopher Hogwood, Conductor.
St. Paul, MN 1989.
Gran Partita by Mozart
  The Juilliard School of Music – NYC. 1985.
Les Caractères de la Danse by Rebel
  Numerous tours, throughout US and Japan, including Florence
Gould Hall, NYC, 2003. Dance Theater Workshop, NYC. 1985. Boston Early Music Festival – Boston, MA, 1983.
Fasciculum IV: Impatientia – Muffat
  Concert Royal – Merkin Concert Hall – NYC, 1978.
   
DANCE CONCERTS:
   
La Boite de Chocolats, a commedia dell’arte work, written by Nicholas Jumara
  original choreography by Catherine Turocy. World Financial Center Winter Garden, NYC, and the Hillwood Museum, Washington D.C., 2004.
Soirée Baroque en Haïti – with Concert Royal
  James Richman, Conductor; Haitian drumming by Damas FanFan Louis. Florence Gould Hall, NYC, and in Dallas, TX. Choreography by Catherine Turocy and Marcea Daite, 2003.
25th Anniversary Costume Ball – with Concert Royal.
  James Richman, Conductor.
Dancespace at St. Mark’s Place, NYC, 2002.
Apollon, La Nuit et Comus by Bernier.
  1987.
Harlequins, Gods and Dancers –With Concert Royal
  James Richman, Conductor. US and European tours,
1985. London and UK tour, 1981.
A Venetian Carnival
  dances from the Commedia dell’Arte after Gregorio Lambranzi’s The New and Curious School of Theatrical Dancing, 1716 Alice Tully Hall, NYC, 1983.

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