A Partial Listing of Works Choreographed by Catherine Turocy and Performed by the NYBDC.
OPERAS: | |
Campra | L´Espagne |
(Concert Royal. James Richman, Conductor. Florence Gould Hall, NYC, 1990) | |
Les Fêtes Vénitiennes – L´Amour en Saltinbanque | |
(Concert Royal. James Richman, Conductor. Florence Gould Hall, New York City, 2004) | |
Charpentier | Les Arts Flourissants |
(Concert Royal. James Richman, Conductor. Florence Gould Hall, NYC and Princeton, NJ, 2002) | |
(Smithsonian Institute, Washington, DC, 1986) | |
Gluck | Orfeo ed Euridice |
(Opera Lafayette. Ryan Brown, Conductor. Clarice Smith Center for the Performing Arts, University of Maryland, 2002). | |
(Concert Royal. James Richman, Conductor. Marymount Manhattan Theater, NYC, 1984) | |
Handel | Acis and Galatea |
(Opera Antica. Palm Beach, FL. 1993) | |
Alcina | |
(Philharmonia Baroque. Nicholas McGegan, Conductor. Händel Festspiel, Göttingen, Germany, 2002) | |
Arianna in Creta | |
(Philharmonia Baroque, Nicholas McGegan, Conductor Händel Festspiele – Göttingen, Germany, 1999) | |
Ariodante | |
(Händel and Haydn Society of Boston. Christopher Hogwood, Conductor. Boston, MA, 2002 and 1995) | |
(Händel Festspiele – Göttingen, Germany, 1995) | |
(“The Dream,” New World Symphony, Miami Beach, FL, 1997) | |
(Concert Royal. James Richman, Conductor. Spoleto Festival, USA; Charleston, SC, 1985) | |
Il Pastor Fido | |
(Castle Hill Early Music Festival, MA and Marymount Manhattan Theater, NYC. 1983) | |
Julius Caesar | |
(Will Crutchfield, Conductor. The Kennedy Center, Washington, DC, 2000) | |
Terpsicore | |
(Tours of the U.S., Puerto Rico and México, 1990, 1995, 2005) | |
(Händel Festspiele – Göttingen, Germany, 1986, 1999) | |
(Castle Hill Early Music Festival, 1983) | |
Landi | Il Sant’Alessio |
(Nicholas McGegan, Conductor. Los Angeles Early Music Festival ) | |
(Concert Royal. the E. Nakamichi Baroque Music Festival. Los Angeles, CA, 1988) | |
Leclair | Scylla et Glaucus |
(Opera de Lyon. John Eliot Gardiner, Conductor. 1986) | |
Lully | Acis et Galatée |
(Opera Lafayette. Ryan Brown, Conductor. Clarice Smith Center for the Performing Arts, 2005) | |
(Opera Lafayette. Ryan Brown, Conductor. The French Embassy, Washington, DC, 2000) | |
Armide | |
(Prince Georges County Opera, Baltimore, MD, 1978) | |
Les Précieuses Ridicules | |
(Théâtre du Nombre d’Or. Nantes, France and NYC, 1984) | |
Mozart | Ascanio in Alba |
(The Kennedy Center – National Symphony Orchestra. Christopher Hogwood, conductor, 1999) | |
Le Nozze di Figaro | |
(Teatro Nacional de Sao Carlos, Lisbon; and Thèâtre de Châtelet, Paris – John Eliot Gardiner, Conductor. 1993) | |
Monteverdi | Orfeo |
(Carmel Bach Festival – Carmel, CA, 1990) | |
Purcell | Dido and Aeneas |
(University of North Texas – Denton, TX, 1999) | |
(Dallas Bach Society – James Richman, Conductor. Meyerson Symphony Hall, Dallas, TX, and Concert Royal at Florence Gould Hall, NYC, 1998) | |
(Opera Antica. Judith Norell, Conductor. Palm Beach, FL, 1990) | |
Dioclesian | |
( Castle Hill Early Music Festival – MA, 1978) | |
Indian Queen | |
(The Händel and Haydn Society. Christopher Hogwood, conductor. The Barbican – London, England, 1995) | |
Rameau | Les Boréades |
(Festival d’Aix-en-Provence and Opéra de Lyon, France John Eliot Gardiner, Conductor. 1982) | |
Dardanus | |
(Wolf Trap Summer Festival. Antony Walker, conductor, 2003) | |
Les Fêtes d’Hébé | |
(Concert Royal. James Richman, Conductor. the E. Nakamichi Baroque Music Festival, Los Angeles, CA, 1986) | |
(‘La Danse’ with Concert Royal. James Richman, Conductor. Alice Tully Hall, Lincoln Center, 1977) | |
Hippolyte et Aricie | |
(Festival d’Aix-en-Provence and Opéra de Lyon, Lyon, France. John Eliot Gardiner Conductor. 1983) | |
Les Indes Galantes | |
(Dance Suite, New World Symphony. Nicholas McGegan, Conductor. Miami Beach, FL, 1997) | |
(Concert Royal. James Richman, Conductor. Pace University, NYC, 1982) | |
Pygmalion | |
(Concert Royal. James Richman, Conductor. Cities in Puerto Rico, México and at Florence Gould Hall, NYC, 2000) | |
(Opera Lafayette, Ryan Brown, Conductor. French Embassy, Washington, DC, 1999) | |
(l’Institut de Musique et Danse Anciennes del’Isle de France, Théâtre de Paris, and Grand Théâtre de Versailles, 1982) | |
(Concert Royal. James Richman, Conductor. Pace University, NYC, 1980) | |
Le Temple de la Gloire | |
(Concert Royal, Florence Gould Hall, NYC, 1991) | |
Rousseau | Le Devin du Village |
(Mercury Baroque Orchestra. Antoine Plante, conductor. Houston, TX, 2004) | |
(Concert Royal. James Richman, Conductor. Boston Early Music Festival and Florence Gould Hall, NYC, 1989) | |
Royer | Le Pouvoir de l’Amour |
(Oberlin College, Oberlin, OH, 2002) | |
Scarlatti | Eracul |
(SUNY Purchase – Purchase, NY, 1992) | |
Verdi | Rigoletto |
(The Dallas Opera. Dallas, TX, 2001) | |
PLAYS: | |
Prince of Haiti/King of Paris by Kyle Siebrecht | |
A staged reading with Florida Historical Performances, Miami, FL. 2004. | |
Le Bourgeois Gentilhomme by Molière | |
Florence Gould Hall in NYC and TheatreWorks, University of Colorado, Colorado Springs, CO, 1999. And with the San Antonio Symphony, San Antonio,TX in 1996. And at SUNY Purchase – NY,1979. | |
With Drawn Sword He Danced – Original text by Turocy | |
Jarvis Conservatory – Napa, CA, 1998. | |
Voltaire’s Temple of Glory – Original text by Turocy | |
Jarvis Conservatory. Napa, CA 1996. | |
A Baroque Journey – Original text by Turocy | |
Lincoln Center Institute – NYC, 1994. | |
La Double Inconstance by Marivaux | |
Théâtre du Nombre d’Or, Nantes, France, 1983. | |
La Meprise by Mariveaux. | |
Théâtre du Nombre d’Or. Nantes, France, 1983. | |
Est-il bon? Est-il méchant by Diderot | |
Threshold Theater Company – NYC. 1986. | |
ORCHESTRAL & CHAMBER WORKS: | |
Les Petits Riens by Mozart | |
With James Richman and Concert Royal throughout the US. Numerous tours, with the St. Paul Chamber Orchestra, Nicholas McGegan, conductor. With Christopher Hogwood at the Kennedy Center, with McGegan and Philharmonia Baroque in San Francisco and with McGegan at the Boston Early Music Festival. | |
Splendour of London , Purcell’s Ayres for the Theater |
|
with Apollo’s Fire, the Cleveland Baroque Orchestra. Jeannette Sorrell, Conductor. Cleveland Museum of Art, OH, 2004. | |
Spanish Dance Suite | |
with Mercury Baroque, Antoine Plante, conductor. Wortham Center, Houston TX, 2003. | |
The Music of Purcell |
|
Oberlin Baroque Ensemble, Oberlin College, Oberlin, OH, 2003. | |
La Follia – music of Corelli | |
Baroque Performance Institute – Oberlin College, Oberlin, OH, 1999. | |
The Four Seasons by Vivaldi | |
commissioned by Out-of-Doors Festival – Lincoln Center, New York City, 1999. |
|
The Haffner Minuets by Mozart | |
The Kennedy Center – National Symphony Orchestra. Christopher Hogwood, conductor, 1999. |
|
Les Folies d’Espagne by Geminianni | |
Händel Festspiele – Göttingen, Germany – Philharmonia Baroque – Nicholas McGegan, conductor, 1999. | |
Dance Through History | |
the Dallas Bach Society – Dallas, TX – James Richman, Conductor, 1999. |
|
Les Sauvages Suite by Rameau | |
Out-of-Doors Festival – Lincoln Center – NYC. | |
Divertimento in B-flat Major by Mozart | |
The Kennedy Center – Washington, DC – National Symphony Orchestra – Christopher Hogwood, Conductor, 1998. | |
Les Elements by Rebel | |
Florence Gould Hall, Concert Royal – James Richman, Conductor, NYC, 1986, Dallas Arboretum – Dallas, TX, 1997. | |
Les Folies Françaises by Couperin | |
Concert Royal. James richman, Conductor. Florence Gould Hall, NYC, 1997. | |
La Cupis by Rameau | |
Baroque Performance Institute, Oberlin College, Oberlin, OH, 1997. | |
La Pavane by Couperin | |
Concert Royal. James Richman, Conductor. Florence Gould Hall, NYC. An Italian Ballet by Monteverdi – Dallas, TX, 1996. |
|
A Viennese Costume Party by Mozart | |
The Kennedy Center – National Symphony Orchestra, Christopher Hogwood, Conductor, 1995. | |
Orchestral Suite No.1 and 2 by Bach | |
Florence Gould Hall – NYC. Revised duet version for the Academy of Ancient Music on tour, Tokyo – Christopher Hogwood, Conductor. 1994. | |
Water Music by Händel | |
Florence Gould Hall – NYC revised duet version for the Academy of Ancient Music on tour, Tokyo – Christopher Hogwood, Conductor. 1994. |
|
Coffee Cantata by Bach | |
Santa Rosa Music Festival – Santa Rosa, CA. 1994 | |
Les Folies d’Espagne by Marais | |
Berkeley Early Music Festival – Berkeley, CA. 1994 | |
A Contredanse by Mozart | |
The Kennedy Center – National Symphony Orchestra. Christopher Hogwood, conductor. 1994. | |
The Dancing Master by Mozart | |
The Kennedy Center – National Symphony Orchestra. Christopher Hogwood, Conductor. 1993. | |
L’Espagne by Campra | |
Concert Royal. James Richman, Conductor. Florence Gould Hall, NYC. 1992. | |
Concerto Grosso Opus 6, No. 6 by Händel | |
Jordon Hall – Boston, MA – Händel and Haydn Society – Christopher Hogwood, Conductor. 1991. | |
“Chaconne” from Idomeneo by Mozart | |
With Concert Royal, James Richman, Conductor – Marymount Theater, NYC | |
French Suite No. 5 by Bach | |
Concert Royal. James Richman, Conductor.. Marymount Manhattan Theatre, NYC; and Carmel Bach Festival, 1990. |
|
Orchestral Suite No. 3 by Bach | |
St. Paul Chamber Orchestra– Christopher Hogwood, Conductor. St. Paul, MN 1989. |
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Gran Partita by Mozart | |
The Juilliard School of Music – NYC. 1985. | |
Les Caractères de la Danse by Rebel | |
Numerous tours, throughout US and Japan, including Florence Gould Hall, NYC, 2003. Dance Theater Workshop, NYC. 1985. Boston Early Music Festival – Boston, MA, 1983. |
|
Fasciculum IV: Impatientia – Muffat | |
Concert Royal – Merkin Concert Hall – NYC, 1978. | |
DANCE CONCERTS: | |
La Boite de Chocolats, a commedia dell’arte work, written by Nicholas Jumara | |
original choreography by Catherine Turocy. World Financial Center Winter Garden, NYC, and the Hillwood Museum, Washington D.C., 2004. | |
Soirée Baroque en Haïti – with Concert Royal | |
James Richman, Conductor; Haitian drumming by Damas FanFan Louis. Florence Gould Hall, NYC, and in Dallas, TX. Choreography by Catherine Turocy and Marcea Daite, 2003. | |
25th Anniversary Costume Ball – with Concert Royal. | |
James Richman, Conductor. Dancespace at St. Mark’s Place, NYC, 2002. |
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Apollon, La Nuit et Comus by Bernier. | |
1987. | |
Harlequins, Gods and Dancers –With Concert Royal | |
James Richman, Conductor. US and European tours, 1985. London and UK tour, 1981. |
|
A Venetian Carnival | |
dances from the Commedia dell’Arte after Gregorio Lambranzi’s The New and Curious School of Theatrical Dancing, 1716 Alice Tully Hall, NYC, 1983. |