• Home
    • History
  • About Us
    • Directors and Staff
      • Directors
        • Catherine Turocy
          • Staged Operas/Ballets by Catherine Turocy and available to be re-staged in the future
          • Vitruvian Man, Baroque Dance and Fractals
          • Interpretation
        • Caroline Copeland
        • Sarah Edgar
        • Jennifer Meller
        • Patricia Beaman, Advisor
        • James Richman, Music Director of The New York Baroque Dance Company
      • Dancers
        • Julia Bengtsson
        • Brynt Beitman
        • Justin Coates
        • Caroline Copeland
        • Julian Donahue
        • Sarah Edgar
        • Carly Fox
        • Olsi Gjeci
        • Roberto Lara
        • Rachel List
        • Glenda Norcross
        • Alexis Silver
        • Meggi Sweeney Smith
        • Matthew Ting
        • Ani Udovicki
  • Bookworm
  • Zoom Classes and Workshops
    • Historical Dance at Play: Beauty and Geometry, First Steps of Ballet
      • Historical Dance at Play: Beauty and Geometry, First Steps of Ballet
      • 2019 DANCE WEEKEND: MYSTIC FOUNTAIN
        • 2018 Dance Weekend: Historical Dance at Play
        • Summer Dance Workshop 2017
          • 2017 Summer Workshop Handouts and Links
          • Video Index for Historical Dance Workshops on Vimeo
    • Dance of the Month
    • Baroque Dance Basics: Mask Master Class on Zoom
  • Calendar
    • Historical Dance at Play: Welcome Home!
      • Les Caractères Workshop! July 24-26, 2020 Moves to Zoom
    • Calendar Highlights 2019-2020
      • Calendar Highlights 2018-2019 Season
      • Calendar Highlights 2017-2018
  • Videos
  • Recent Activity
    • How We Revive Baroque Ballets
    • PRESS
      • Archived Press Quotes 1976-2011
      • 2017 Trip to Cuba!
        • Soirée Baroque en Haïti Project
  • Projects in Development
  • Contact Us
  • Donate
    • Friends of Baroque Dance in Chicago
    • Friends of Baroque Dance in New York
  • NYBDC Store

The New York Baroque Dance Co.

“A second facet of heaven.”– Mindy Aloff, danceviewtimes.com

Feeds:
Posts
Comments

Writings by Catherine Turocy

turocyfence_c_andrako-9617-Edit-2

photo by C. Andrako

Catherine Turocy has been working in the field of Baroque dance since her first performance with Shirley Wynne in 1972 in Jean Philippe Rameau’s La Naissance d’Osiris conducted by Alan Curtis in Berkeley, California.  In this section you will find her writings and reflections on historical dance from the perspectives of performer, reconstructor, choreographer, stage director, teacher and mentor.

Share this:

  • Twitter
  • Facebook

Like this:

Like Loading...

  • Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 253 other followers

  • Facebook

    Facebook
  • Twitter Updates

      Follow @nybdc

    Blog at WordPress.com.

    WPThemes.


    Cancel
    %d bloggers like this: